Christmas Horse Pictures Biography
Source(Gogle.com.pk)Harry Lillis "Bing" Crosby, Jr. (May 3, 1903 – October 14, 1977)[3] was an American singer and actor. Crosby's trademark bass-baritone voice made him one of the best-selling recording artists of the 20th century, with over half a billion records in circulation.[4]
A multimedia star, from 1934 to 1954 Bing Crosby was a leader in record sales, radio ratings, and motion picture grosses.[5] His early career coincided with technical recording innovations; this allowed him to develop a laid-back, intimate singing style that influenced many of the popular male singers who followed him, including Perry Como,[6] Frank Sinatra, and Dean Martin. Yank magazine recognized Crosby as the person who had done the most for American G.I. morale during World War II and, during his peak years, around 1948, polls declared him the "most admired man alive", ahead of Jackie Robinson and Pope Pius XII.[7][8] Also in 1948, the Music Digest estimated that Crosby recordings filled more than half of the 80,000 weekly hours allocated to recorded radio music.[8]
Crosby exerted an important influence on the development of the postwar recording industry. He worked for NBC at the time and wanted to record his shows; however, most broadcast networks did not allow recording. This was primarily because the quality of recording at the time was not as good as live broadcast sound quality. While in Europe performing during the war, Crosby had witnessed tape recording, on which The Crosby Research Foundation would come to have many patents. The company also developed equipment and recording techniques such as the laugh track which are still in use today.[9] In 1947, he invested $50,000 in the Ampex company, which built North America's first commercial reel-to-reel tape recorder. He left NBC to work for ABC because NBC was not interested in recording at the time. This proved beneficial because ABC accepted him and his new ideas.[9] Crosby then became the first performer to pre-record his radio shows and master his commercial recordings onto magnetic tape. He gave one of the first Ampex Model 200 recorders to his friend, musician Les Paul, which led directly to Paul's invention of multitrack recording. Along with Frank Sinatra, Crosby was one of the principal backers behind the famous United Western Recorders recording studio complex in Los Angeles.[10]
During the "Golden Age of Radio", performers often had to recreate their live shows a second time for the west coast time zone. Through the medium of recording, Crosby constructed his radio programs with the same directorial tools and craftsmanship (editing, retaking, rehearsal, time shifting) being used in motion picture production. This became the industry standard.
Crosby won an Academy Award for Best Actor for his role as Father Chuck O'Malley in the 1944 motion picture Going My Way, and was nominated for his reprise of the role in The Bells of St. Mary's opposite Ingrid Bergman the next year, becoming the first of four actors to be nominated twice for playing the same character. In 1963, Crosby received the first Grammy Global Achievement Award.[11] Crosby is one of the 22 people to have three stars on the Hollywood Walk of Fame (a star for motion pictures, radio, and audio recording).
Contents [hide]
1 Early life
2 Popular success
2.1 Music
3 "White Christmas"
4 Motion pictures
5 Television
5.1 Singing style and vocal characteristics
5.2 Career statistics
6 Entrepreneurship
6.1 Mass media
6.2 TV stations
6.3 Thoroughbred horse racing
7 Sports
8 Personal life
9 Failing health and death
10 Legacy
11 Compositions
12 Grammy Hall of Fame
13 Filmography
14 Discography
15 Radio
16 RIAA certification
17 References
18 Further reading
19 External links
Early life[edit]
Crosby was born in Tacoma, Washington, on May 3, 1903,[1] in a house his father built at 1112 North J Street.[12] In 1906, Crosby's family moved to Spokane, Washington.[13] In 1913, Crosby's father built a house at 508 E. Sharp Ave.[14] The house now sits on the campus of Crosby's alma mater Gonzaga University[15] and formerly housed the Alumni Association.
He was the fourth of seven children: brothers Larry (1895–1975), Everett (1896–1966), Ted (1900–1973), and Bob (1913–1993); and two sisters, Catherine (1904–1974) and Mary Rose (1906–1990). His parents were Harry Lillis Crosby, Sr. (1870–1950), a bookkeeper, and Catherine Helen (known as Kate) (née Harrigan; 1873–1964). Crosby's mother was a second generation Irish-American.[16] His father was of English descent; some of his ancestors had emigrated to what would become the U.S. in the 17th century, and included Mayflower passenger William Brewster (c. 1567 – April 10, 1644).[17]
In 1910, six-year-old Harry Crosby Jr. was forever renamed. The Sunday edition of the Spokesman-Review published a feature called "The Bingville Bugle".[18][19] Written by humorist Newton Newkirk, The Bingville Bugle was a parody of a hillbilly newsletter filled with gossipy tidbits, minstrel quips, creative spelling, and mock ads. A neighbor, 15-year-old Valentine Hobart, shared Crosby's enthusiasm for "The Bugle" and noting Crosby's laugh, took a liking to him and called him "Bingo from Bingville". Eventually the last vowel was dropped and the nickname stuck.[20]
In 1917, Crosby took a summer job as property boy at Spokane's "Auditorium", where he witnessed some of the finest acts of the day, including Al Jolson, who held Crosby spellbound with his ad libbing and spoofs of Hawaiian songs. Crosby later described Jolson's delivery as "electric".[21]
Popular success[edit]
Music[edit]
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In 1923, Crosby was invited to join a new band composed of high school students much younger than himself. Al Rinker, Miles Rinker, James Heaton, Claire Pritchard and Robert Pritchard, along with drummer Crosby, formed the Musicaladers, who performed at dances both for high school students and club-goers. The group disbanded after two years.[22]
By 1925, Crosby had formed a vocal duo with partner Al Rinker, brother of singer Mildred Bailey. Bailey introduced Rinker and Crosby to Paul Whiteman, who was at that time America's most famous bandleader. Hired for $150 a week, they made their debut on December 6, 1926 at the Tivoli Theatre in Chicago. Their first recording was "I've Got The Girl", with Don Clark's Orchestra, but the Columbia-issued record did them no vocal favors, as it was inadvertently recorded at a speed slower than it should have been, which increased the singers' pitch when played at 78 rpm. Throughout his career, Crosby often credited Mildred Bailey for getting him his first important job in the entertainment business.
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