Wednesday, October 16, 2013

Picture of a Horse for Kids Black and White to Color Funny Hd Wallpapepr Images Pics

Picture of a Horse Biography

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Mini Biography
Trigger, Roy Rogers' beautiful Golden Palomino stallion, and co-star with Roy in many of his movies and Roy's TV show, was often billed as "the smartest horse in the movies".

The two of them appeared in dozens of westerns in the 1930s and 40s, always chasing and thwarting the bad guys, and working to serve peace and justice.

Trigger even shared the movie title with Roy on two occasions: My Pal Trigger (1946) and Trigger, Jr. (1950).

Trigger started life out as Golden Cloud (1932). His sire was a thoroughbred horse that had raced at Caliente Track, and his dam was a cold-blooded palomino. Trigger was foaled on a small ranch in the San Diego area which was partly owned by Bing Crosby. The manager of that ranch was Roy Cloud, a breeder originally from Noblesville, Indiana. At around 3 years of age, Golden Cloud was sold to the Hudkins Stables, which rented horses to the movie industry. Golden Cloud's first major appearance was in the movie, The Adventures of Robin Hood (1938) where he was ridden by Olivia de Havilland. When Gene Autry failed to report for work at Republic Pictures, Roy Rogers found himself cast in the lead role for Under Western Stars (1938). Before filming began on Under Western Stars (1938), Hudkins Stables brought their best lead horses to the studio so Roy could select a mount. As Roy recalled it, the third horse he got on was a beautiful golden palomino who handled smoothly and reacted quickly to whatever he asked it to do.

Roy said of Golden Cloud "He could turn on a dime and give you some change".

Smiley Burnette, who played Roy's sidekick in his first two films, was watching and mentioned how quick on the trigger this horse was. Roy agreed and decided that Trigger was the perfect name for the horse. Roy purchased the horse for $2,500 and eventually outfitted it with a $5,000 gold/silver saddle.

Roy was proud of the fact that throughout his more than 80 films, the 101 episodes of his television series, and countless personal appearances, Trigger never fell.

Roy once said that "he felt that Trigger seemed to know when people were watching him and that he recognized applause and just ate it up like a ham!"

Trigger won a Patsy award for the role in Son of Paleface (1952) & the 1958 Craven award winner. He was so popular that at one time, he even had his own fan club with members from all over the world. On July 3, 1965, at the Rogers ranch in Hidden Valley, California, Trigger, at age 33, passed away. Roy was reluctant to "put him in the ground", so Rogers had the horse mounted in a rearing position by Bishoff's Taxidermy of California. The rest of his remains are buried in Thousand Oaks, California on one of Roy's former ranches.

IMDb Mini Biography By: Roy Rogers Jr.

Trivia
Roy Rogers's horse.

Was bought by Roy Rogers in 1943 for $2,500.00

Trigger's original name was Golden Cloud.

Roy Rogers had several "Triggers" over the years. When the last of the line died in 1965 its hide was stretched over a frame and placed in Rogers and Dale Evans' museum in Victorville, California. After an investigation revealed that Trigger's meat had been sold to several small eateries in the South West, contrary to the The Prevention of Food Adulteration Act of 1954, butcher John L. Jones was sentenced to five years in prison.

Legends cloud the life of Crazy Horse, a seminal figure in American history but an enigma even to his own people in his own day. This superb biography looks back across more than 120 years at the life and death of this great Sioux warrior who became a reluctant leader at the Battle of Little Bighorn. With his uncanny gift for understanding the human psyche, Larry McMurtry animates the character of this remarkable figure, whose betrayal by white representatives of the U.S. government was a tragic turning point in the history of the West. A mythic figure puzzled over by generations of historians, Crazy Horse emerges from McMurtry’s sensitive portrait as the poignant hero of a long-since-vanished epoch.

Picture of a Horse for Kids Black and White to Color Funny Hd Wallpapepr Images Pics

Picture of a Horse for Kids Black and White to Color Funny Hd Wallpapepr Images Pics

Picture of a Horse for Kids Black and White to Color Funny Hd Wallpapepr Images Pics

Picture of a Horse for Kids Black and White to Color Funny Hd Wallpapepr Images Pics

Picture of a Horse for Kids Black and White to Color Funny Hd Wallpapepr Images Pics

Picture of a Horse for Kids Black and White to Color Funny Hd Wallpapepr Images Pics

Picture of a Horse for Kids Black and White to Color Funny Hd Wallpapepr Images Pics

Picture of a Horse for Kids Black and White to Color Funny Hd Wallpapepr Images Pics

Picture of a Horse for Kids Black and White to Color Funny Hd Wallpapepr Images Pics

Picture of a Horse for Kids Black and White to Color Funny Hd Wallpapepr Images Pics

Picture of a Horse for Kids Black and White to Color Funny Hd Wallpapepr Images Pics

Picture of a Horse for Kids Black and White to Color Funny Hd Wallpapepr Images Pics

Picture of a Horse for Kids Black and White to Color Funny Hd Wallpapepr Images Pics

Picture of a Horse for Kids Black and White to Color Funny Hd Wallpapepr Images Pics

Picture of a Horse for Kids Black and White to Color Funny Hd Wallpapepr Images Pics

Picture of a Horse for Kids Black and White to Color Funny Hd Wallpapepr Images Pics

Picture of a Horse for Kids Black and White to Color Funny Hd Wallpapepr Images Pics

Funny Horses Pictures for Kids Black and White to Color Funny Hd Wallpapepr Images Pics

Funny Horses Pictures Biography

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Audrey Hepburn was born on May 4, 1929 in Brussels, Belgium. She really was blue-blood from the beginning with her father, a wealthy English banker, and her mother, a Dutch baroness. After her parents divorced, Audrey went to London with her mother where she went to a private girls school. Later, when her mother moved back to the Netherlands, she attended private schools as well. While vacationing with her mother in Arnhem, Netherlands, Hitler's army took over the town. It was here that she fell on hard times during the Nazi occupation. Audrey suffered from depression and malnutrition. After the liberation, Audrey went to a ballet school in London on a scholarship and later began a modeling career. As a model, she was graceful and, it seemed, she had found her niche in life - until the film producers came calling. After being spotted modeling by a producer, she was signed to a bit part in the European film Dutch in Seven Lessons (1948) in 1948. Later, she had a speaking role in the 1951 film, Young Wives' Tale (1951) as Eve Lester. The part still wasn't much, so she headed to America to try her luck there. Audrey gained immediate prominence in the US with her role in Roman Holiday (1953) in 1953. This film turned out to be a smashing success as she won an Oscar as Best Actress. This gained her enormous popularity and more plum roles. One of the reasons for her popularity was the fact that she was so elf-like and had class, unlike the sex-goddesses of the time. Roman Holiday (1953) was followed by another similarly wonderful performance in the 1957 classic Funny Face (1957). Sabrina (1954), in 1954, for which she received another Academy nomination, and Love in the Afternoon (1957), in 1957, also garnered rave reviews. In 1959, she received yet another nomination for her role in The Nun's Story (1959). Audrey reached the pinnacle of her career when she played Holly Golightly in the delightful film Breakfast at Tiffany's (1961) in 1961. For this she received another nomination. She scored commercial success again in the espionage caper Charade (1963). One of Audrey's most radiant roles was in the fine production of My Fair Lady (1964) in 1964. Her co-star, Rex Harrison, once was asked to identify his favorite leading lady. Without hesitation, he replied, "Audrey Hepburn in 'My Fair Lady.'" After a couple of other movies, most notably Two for the Road (1967), she hit pay dirt and another nomination in 1967's Wait Until Dark (1967). By the end of the sixties, after her divorce from actor Mel Ferrer, Audrey decided to retire while she was on top. Later she married Dr. Andrea Dotti. From time to time, she would appear on the silver screen. One film of note was Robin and Marian (1976), with Sean Connery in 1976. In 1988, Audrey became a special ambassador to the United Nations UNICEF fund helping children in Latin America and Africa, a position she retained until 1993. She was named to People's magazine as one of the 50 most beautiful people in the world. Her last film was Always (1989) in 1989. Audrey Hepburn died on January 20, 1993 in Tolochnaz, Switzerland, from appendicular cancer. She had made a total of 31 high quality movies. Her elegance and style will always be remembered in film history as evidenced by her being named in Empire magazine's "The Top 100 Movie Stars of All Time."

IMDb Mini Biography By: Denny Jackson

Mini Biography
Hepburn was a cosmopolitan from birth as her father was an English banker and her mother a Dutch baroness. In the movies she appeared as a delicate adolescent, a look which remained until her last movie Always (1989) directed by Steven Spielberg. Her career as actress began in the English cinema and after having been selected for the Broadway play "Gigi" she debuted in Hollywood in 1953. With Roman Holiday (1953) she won an Oscar; her favorite genres were the comedies like Sabrina (1954) or Love in the Afternoon (1957). At the end of the sixties she retired from Hollywood but appeared from time on the set for a few films. From 1988 on she worked also for UNICEF.

IMDb Mini Biography By: Volker Boehm

Spouse
Andrea Dotti (18 January 1969 - 21 September 1982) (divorced) 1 child
Mel Ferrer (25 September 1954 - 5 December 1968) (divorced) 1 child

Trade Mark
Her elegant beauty.

Often cast opposite leading men who were considerably older than she was.

Often played classy High Society women.

Charming characters who try to wear their troubles lightly

Wide, brown eyes.

Delicate, slender figure


Trivia
Was first choice for the lead in A Taste of Honey (1961).

Ranked #50 in Empire (UK) magazine's "The Top 100 Movie Stars of All Time" list. [October 1997]

Mother of Sean H. Ferrer, with first husband, Mel Ferrer.

Son, Luca Dotti (b. 8 February 1970), with second husband, Dr. Andrea Dotti.

Chosen by People magazine as one of the 50 Most Beautiful People in the world. [1990]

After Wait Until Dark (1967) was offered the leads in Goodbye, Mr. Chips (1969), 40 Carats (1973), Nicholas and Alexandra (1971), The Exorcist (1973), One Flew Over the Cuckoo's Nest (1975), A Bridge Too Far (1977) and The Turning Point (1977) but decided to stay in retirement and raise her sons.

Interred in Tolochenaz, Vaud, Switzerland.

Chosen by Empire magazine as one of the 100 Sexiest Stars in film history (#8). [1995]

Turned down the film Gigi (1958) after creating the character in the Broadway non musical play.

Had a breed of tulip named after her in 1990.

Died on January 20, 1993, the day of Bill Clinton's first inauguration as President of the United States and the 67th birthday of Patricia Neal. They starred together in Breakfast at Tiffany's (1961).

She won the 1953 Best Actress Academy Award for Roman Holiday (1953). On March 25th, 1954, she accepted the award from the much revered Academy president Jean Hersholt. After accepting the award, Audrey kissed him smack on the mouth, instead of the cheek, in her excitement. Minutes after accepting her 1953 Oscar, Audrey realized that she'd misplaced it. Turning quickly on the steps of the Center Theater in New York, she raced back to the ladies' room, retrieved the award, and was ready to pose for photographs.

Christened simply Audrey Kathleen Ruston, her mother Baroness Ella Van Heemstra temporarily changed the actress' name from Audrey to Edda during the war, feeling that "Audrey" might indicate her British roots too strongly. During the war, being English in occupied Netherlands was not an asset; it could have attracted the attention of the occupying German forces and resulted in confinement or even deportation. After the war her father Joseph Victor Anthony Ruston found documents about his ancestors, some of whom bore the name Hepburn. This is when he added it to his name, which caused her daughter to have to add Hepburn to her legal name as well, thus Audrey Kathleen Hepburn-Ruston.

Was fluent in English, Dutch, Spanish, French, and Italian. She was raised bilingually; speaking English and Dutch (resulting in her unique accent). Throughout her life, she used multilingualism to great advantage with international press in both her careers as an actress and humanitarian.

Was briefly considered for the main role in Cleopatra (1963) but the part went to Elizabeth Taylor

She confessed to eating tulip bulbs and tried to bake grass into bread during the hard days of World War II.

Audrey felt that she was miscast as Holly Golightly in Breakfast at Tiffany's (1961) although it was one of her most popular roles.

Was trained as a dental assistant before making it big.

Henry Mancini said of her: "'Moon River' was written for her. No one else had ever understood it so completely. There have been more than a thousand versions of 'Moon River', but hers is inquestionably the greatest".

Turned down a role in the film The Diary of Anne Frank (1959) because, as a young girl in the Netherlands during the war, she had witnessed Nazi soldiers publicly executing people in the streets and herding Jews onto railroad cars to be sent to the death camps. She said that participating in the film would bring back too many painful memories for her.

Like Humphrey Bogart, Hepburn also starred in five of the movies listed by American Film Institute in its Top 100 U.S. love stories (2002). They are Roman Holiday (1953), ranked #4 on the list, Sabrina (1954) ranked #54, which co-starred Bogart, My Fair Lady (1964) ranked #12, Two for the Road (1967) at #57 and Breakfast at Tiffany's (1961) #61.

During the battle of Arnhem, 16-year-old Audrey was a volunteer nurse in a Dutch hospital. The hospital received many wounded Allied soldiers, one of whom young Audrey helped nurse back to health was a young British paratrooper - and future director - named Terence Young. More than 20 years later, Young directed Hepburn in Wait Until Dark (1967).

In 1954 she was presented with her Best Actress Oscar for Roman Holiday (1953) by Jean Hersholt. In 1993 she was posthumously awarded the Jean Hersholt Humanitarian Award.

During World War II, she lived in Arnhem, Netherlands. She worked with the Dutch Underground, giving ballet performances to collect donations for the anti-Nazi effort and as an occasional courier. She also received dance training and later studied ballet in London.

Presented the Best Picture Oscar at the Academy Awards four times (in 1955, 1960, 1966, and 1975), more than any other actress.

Told People Magazine that she was very self-conscious about her size-10 feet.

She was voted the 21st Greatest Movie Star of all time by Entertainment Weekly.

In 1993 she became the thirteenth performer to win the Triple Crown of Acting. Oscar - Best Actress for Roman Holiday (1953), Tony for Best Actress in a Play for "Ondine" (1954) and Emmy for Outstanding Individual Achievement - Informational Programming for "Gardens of the World with Audrey Hepburn" (1993).

Was fashion designer Hubert de Givenchy's muse, who dressed her for the films Sabrina (1954), Funny Face (1957), Love in the Afternoon (1957), Breakfast at Tiffany's (1961), Paris When It Sizzles (1964), How to Steal a Million (1966), Charade (1963) and Love Among Thieves (1987) (TV).

In 1996 the British magazine Harpers & Queen conducted a poll to find the most fascinating women of our time. She was in the #1 spot.

As of 2005, she is one of only nine performers to win an Oscar, a Tony, an Emmy and a Grammy Award.

She was of Dutch, English, and Austrian descent. Some reports incorrectly identified her as having Irish ancestry on her paternal side (which even she believed), but her British father's genealogy indicates he was of predominantly Austrian descent. Joseph Hepburn-Ruston's only ties to Ireland were having resided there, in the latter part of his life.

Followed winning the Academy Award for Roman Holiday (1953) with winning Broadway's 1954 Tony Award as Best Actress (Dramatic) for "Ondine."

Voted #1 in TheAge.com's Top 100: Natural Beauties of all time.

She owned a Yorkshire Terrier called "Mr. Famous".

She was voted the 18th Greatest Movie Star of all time by Premiere Magazine.

Was named #3 on The American Film Institute's 50 Greatest Screen Legends

Her biggest film regret was not getting the Anne Bancroft role in The Turning Point (1977). "That was the one film", she later admitted, "that got away from me."

Is portrayed by Jennifer Love Hewitt in The Audrey Hepburn Story (2000) (TV)

When she failed to receive an Academy Award nomination for her role as Eliza Doolittle in My Fair Lady (1964), Katharine Hepburn wired her with a message of encouragement: "Don't worry about it. You'll get it one day for a part that doesn't rate it." Ironically, when Audrey's next (and last) nomination came for Wait Until Dark (1967) in 1967, Hepburn beat her in Guess Who's Coming to Dinner (1967) - in a part that arguably didn't rate it.

Her character in Funny Face (1957) was inspired by Suzy Parker, who made a fashionable cameo appearance in the film (her first film) in the "Think Pink" sequence.

According to her biography, "Audrey Hepburn: An Intimate Portrait", she made a vow to herself never to exceed 103 pounds. With the exception of her pregnancies, she succeeded.

Turned down the title role in Gigi (1958) to make Funny Face (1957). Ironically, her agent initially rejected the film, but Hepburn overrode the decision after reading the script. Her mother, Baroness Ella Van Heemstra, makes a cameo appearance as a sidewalk café patron, and her Yorkshire terrier "Mr. Famous" appears as the dog in the basket during the "Anna Karenina" train shot. Hepburn did not want to be separated from husband Mel Ferrer, so filming of the Paris scenes was timed to coincide with Ferrer's filming of Elena and Her Men (1956). Paris' unseasonably rainy weather had to be worked into the script, particularly during the balloons photo shoot scene. During filming of the Paris scenes, much of the crew and cast were on edge because of riots and political violence that were gripping the city. The soggy weather played havoc with the shooting of the wedding dress dance scene. Both Fred Astaire and Hepburn were continually slipping in the muddy and slippery grass. In "Funny Face" she was lucky enough to sing several songs. Her next full musical, My Fair Lady (1964), had her singing voice dubbed by Marni Nixon, much to Hepburn's disappointment. The face portrait unveiled in the darkroom scene was photographed by Richard Avedon. The film was shot back-to-back with Love in the Afternoon (1957).

According to director William Friedkin, Audrey was Warner Bros. first choice for the role of Chris MacNeil in The Exorcist (1973) after her box-office successes with the studio's productions The Nun's Story (1959), My Fair Lady (1964) and Wait Until Dark (1967). She would only agree to star if the film were made in Rome, so that she would be able to remain home to raise her sons. Both Friedkin and writer William Peter Blatty rejected the proposal, and eventually cast Ellen Burstyn.

Her performance as Holly Golightly in Breakfast at Tiffany's (1961) is ranked #32 on Premiere Magazine's 100 Greatest Performances of All Time (2006).

Asked for the part of Emma Jacklin in The Turning Point (1977) but Anne Bancroft had already been cast in the role.

Hepburn was diagnosed with appendiceal cancer on November 1, 1992 (not colon cancer, as it is often mistakenly called). The cancer spread into the lining of her small intestine. She had one foot of intestine removed in surgery and went through chemotherapy, but in a second surgery it was decided that the cancer had spread too far and could not be treated. Her son Sean H. Ferrer believes it had probably been developing over the course of the previous five years.

From 1980 until her death, she lived together in Switzerland with her partner, Dutch actor Robert Wolders.

The US Postal Service issued a 37 cent commemorative stamp honoring her as a Hollywood legend and humanitarian (2003).

Her famous "little black dress" from Breakfast at Tiffany's (1961), designed by Hubert de Givenchy, was sold at a Christie's auction for approximately $920,000 (5 December 2006).

Was voted "most beautiful woman of all time" by the readers of "New Woman" magazine (2006).

Godmother of Victoria Brynner, the daughter of Doris Kleiner and Yul Brynner.

Saved the life of her friend Capucine, who attempted suicide on several occasions.

In Italy she was almost exclusively dubbed by Maria Pia Di Meo, except in her first two films (Roman Holiday (1953) (Vacanze Romane) and Sabrina (1954)) and in Green Mansions (1959) (Verdi dimore), where she was dubbed by Fiorella Betti.

She was presented with her 1953 Best Actress Oscar for "Roman Holiday" by actor and humanitarian Jean Hersholt. Forty years later she would posthumously receive the Jean Hersholt Humanitarian Award by the Academy of Motion Picture Arts and Sciences for her work with UNICEF.

As of 2007, she and Katharine Hepburn are the only "Best Actress" Oscar-winners to share a last name. Of course, they are not related.

Met future husband Mel Ferrer at a party hosted by Gregory Peck. It was Ferrer who sent Hepburn the script for "Ondine", which Hepburn agreed to play on Broadway, in which the couple co-starred.

Funny Horses Pictures for Kids Black and White to Color Funny Hd Wallpapepr Images Pics

Funny Horses Pictures for Kids Black and White to Color Funny Hd Wallpapepr Images Pics

Funny Horses Pictures for Kids Black and White to Color Funny Hd Wallpapepr Images Pics

Funny Horses Pictures for Kids Black and White to Color Funny Hd Wallpapepr Images Pics

Funny Horses Pictures for Kids Black and White to Color Funny Hd Wallpapepr Images Pics

Funny Horses Pictures for Kids Black and White to Color Funny Hd Wallpapepr Images Pics

Funny Horses Pictures for Kids Black and White to Color Funny Hd Wallpapepr Images Pics

Funny Horses Pictures for Kids Black and White to Color Funny Hd Wallpapepr Images Pics

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Horse Drawings for Kids Black and White to Color Funny Hd Wallpapepr Images Pics

Horse Drawings Biography

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The story about Muybridge and Leland Stanford, whether apocryphal or not, is a satisfactory one: Stanford, former Governor of California and a serious horse fancier, allegedly bet a friend, one Frederick MacCrellish, twenty-five thousand dollars that a running horse at one point in his stride had all four feet off the ground simultaneously. Since the issue was not resolved by direct observation, Stanford commissioned Muybridge, a California photographer famous chiefly for his landscapes, to settle the issue through photography, which could not lie.

Eadweard Muybridge
Six years later, after several near-successes (and an interruption during which Muybridge was being tried for the murder of his wife's lover), the photographer proved conclusively that Stanford was right about the four-feet-off-the-ground question, although the horse's position --- with his feet bunched beneath him --- was doubtless as much of a surprise to Stanford as to everyone else. Considering the length of time Muybridge had spent on the project, plus the expense of photographic equipment and legal fees, it is questionable whether Stanford profited from his bet, but he probably derived great satisfaction from being proved right.

Eadweard Muybridge
The issue was then less academic than it seems today; painters of the time frequently included horses in their pictures, and like Stanford they also wanted to be right. Within months of the publication of Muybridge's pictures, the hobby-horse convention that had been honored by artists for centuries was abandoned, except on that last bastion of conservatism, the carrousel.

Eadweard Muybridge
Muybridge's most important motion studies were published in 1887 as Animal Locomotion, a collection of 781 plates that described, in sequential frames, human beings and other creatures engaged in diverse characteristic activities. As the distinguished art historian E. H. Gombrich has made clear, artists had never really painted what they saw; they painted rather what they had learned to paint. The most talented among them had challenged some part of the convention that they had inherited, and had modified and enriched it. By the nineteenth century a properly trained painter knew how to draw a head or a hand in as many as ten or twelve perspectives, each of which looked as true as ancient wisdom. Muybridge's work, on the other hand, recorded many thousands of individual optical facts, almost all of which looked unfamiliar. Perhaps nothing since Daguerre had so unsettled the painter's established certainties.

from "Looking at Photographs" by John Szarkowski

Eadweard Muybridge / recommended books
The Human Figure In Motion
The 4,789 photographs in this definitive selection show the human figure - models almost all undraped - engaged in over 160 different types of action: running, climbing stairs, tumbling, dressing, undressing, hopping on one foot, dancing, etc. Children walking, crawling and many dozens of other activities.


Animals in Motion
Definitive selection of 3,919 photographs, plus author's observations on animals' movements. Incredible true-action shots cover 34 different animals and birds in 132 characteristic motions. Horses, goats, cats, gnus, eagles, gazelles, sloths, camels, many others shown walking, running, flying, leaping, more.


Eadweard Muybridge: The Human and Animal Locomotion Photographs
This resplendent book traces the life and work of Muybridge, from his early thinking about anatomy and movement to his latest photographic experiments, and is copiously illustrated with his complete locomotion plates as well as biographical pictures and texts.


River of Shadows: Eadweard Muybridge and the Technological Wild West
This striking assertion is at the heart of Rebecca Solnitfs new book, which weaves together biography, history, and fascinating insights into art and technology to create a boldly original portrait of America on the threshold of modernity.


Eadweard Muybridge videos (YouTube)
Google Doodle ~ Eadweard J. Muybridge The 182th anniversary
EADWEARD MUYBRIDGE
Eadward J.Muybridge
Eadweard Muybridge walking bird
Eadweard Muybridge: Animal Locomotion
Eadweard Muybridge. A Ballet in ten movements played by Seven instuments.
Eadweard Muybridge links
J. Paul Getty Museum
Musee d'Orsay Collection Database
Museum of Modern Art
Eadweard Muybridge at the National Gallery of Art
Reunion des Musees Nationaux
Eadweard Muybridge at the Rijksmuseum
Royal Academy of Arts Collection
San Francisco Museum of Modern Art
Museum of American HistoryDead Horse Beats is a Montreal-based producer known for his blend of skewed layers of eclectic samples and live instrumentation.

His regular forays in sampling include 2011’s Sounds of the Swing Era which drew from swing songs recorded during the Second World War; 2012’s Vespers: an album of gospel reworks, and 2013’s Chains ‘Round My Legs: an album drawing samples from 1940s era prison work songs.

DHB’s live show is a high energy spectacle which features bassy percussive hip hop tracks infused instrumentation on guitar, drums, synthesizer and vocals. He has shared the stage with the likes of RJD2, C2C, XXYYXX, Rustie, and Emancipator and has seen Space Jam more than 100 times.

http://deadhorsebeats.bandcamp.com/
http://www.facebook.com/DEADHORSEBEATS
http://soundcloud.com/deadhorsebeats
https://twitter.com/#!/deadhorsebeats
http://www.youtube.com/deadhorsebeats
Edited by Patzula on 8 Oct 2013, 04:33

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Black Horses Pictures Biography

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There are at least 2 groups with the name “Black Horse”
1) An American band
2) A Mongolian Throat-singing group

Out with the new and in with the old. What started as a two piece metal/blues/industrial mountain of equipment from Seattle has morphed into a three piece minimalist blues punk outfit. After returning from a tour in the UK with friends Tombs (Relapse) that was dominated by equipment breakdowns and power converter overloads, Black Horse decided it was time for a live drummer. They took several months off from touring to bring in Frank DeRienzo and write a new collection of songs, influenced by AP Schroder’s deepening interest in northern Mississippi hill country style blues, including artists such as Elmore James and Fred McDowell. April opted to bring in a Korg MS-20 monosynth to keep things heavy. What has come out if it is a sound akin to the catchy swing of Eagles of Death Metal, with some serious slide guitar action and vocals nodding to a Nick Cave influence on April’s part. Their live shows thus far have inspired nose bleeds, spilt beer and mystery bruises. They seem to be doing what American rock has been working at for decades- bridging the gap between its blues roots and rock and roll.


Black Horse formed in the spring of 2004 when Brooklyn-based Seattle-transplants April Goettle (vocals, guitar, synth) and AP Schroder (vocals, guitar, programming) consolidated their musical endeavors into a duo. Tired of sharing members with other bands who were erratically on tour, thus keeping them in a constant holding pattern, Black Horse emerged as the communion of Goettle, Schroder and a drum machine, pounding out a wall of bleak and blackened rock and roll dirges that marry the scrape of industrial rhythms and distortion with a strong and womanly edge.
On their debut full-length, The Black Arts of Black Horse, Goettle’s vocalizations don’t position her as an antagonist as much as they cast her as a sturdy front woman; a feminist to be sure, friend or foe you decide. She’s a songwriter who understands the balance of language from the brain, the heart and the guts, and the subtle shades with which each one can add grit and color to the others. All of this is underscored by Schroder’s unwavering rhythms that are programmed into the drum machine and ground to bits under an impenetrable duel-guitar traipse.
Each song is a capsule of discomfort, confrontation and catharsis, streamlined and put on display as aggressive pop fodder. Goettle has stated, “If you’re going to bother writing lyrics you want people to hear, they should be worth listening to,” and she has held herself to a strict standard of songwriting that strikes with visceral and challenging tenacity.
The Black Arts… wanders through a terrain of noisy metal riffs and mechanical rhythms under a slow burn of fuzz, melody and undeniable hooks. Think Big Black, the Jesus and Mary Chain circa Psychocandy, Wire’s earliest days, Black Sabbath, PJ Harvey and Texas Chainsaw Massacre soundtrack and you’re in the right neighborhood; and it’s a scary one at that.
Goettle and Schroder have constructed a decidedly lo-fi beast with The Black Arts… One in which the noise and tension that swells between every note and every intentional sound carries just as much weight in the music as everything else.
The album’s opening number, “Shake Shake Shake” is an apocalyptic strip-club banger that is both sleazy and sultry in its worship of riff and strut that is at turns sexy and ominous, captivating and daunting. And as the crash of “Lapdance Technician” grinds forward, the album’s doom-laden atmosphere takes shape. “Hey Sailor” offers brief moment of reflection as Goettle croons over longing, heartbreak and the consequences of bad behavior. But the high-end skulk of steel strings and drum machine miasma only serves to pull the song back into the heat of anxiety and aggression.
This brand of high-energy, high release pace is at the core of Black Horse’s mad dash into the dark side. As such The Black Arts of Black Horse is a disquieting affair; on that strikes below the belt and above and directly to the brain, and will grab young feminists and metal heads alike.
Edited by KSava on 4 Apr 2010, 03:13

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Monte Yellow Bird Sr., better known in the art world as Black Pinto Horse tells stories using a vibrant application of oil paint on canvas in the form of First Nation icons, more specifically of the Plains tribes, adding three-dimensional elements such as shells, feathers, beadwork, etc, as well as creating drawings using colored pencil on antique ledgers, indicative of the 1800’s American Indian ledger style.  He signs his paintings and ledger art using the name given through ceremony, Black Pinto Horse.

“If you’re going to shine,
shine brightly”.
The themes of Black Pinto Horse’s work speak to all generations, past, present and future, about the essence of life; for example, the Sacred Water (tstooxu' waaRUxtii), the Tree of Life, and Holy Dog (there is no specific word for horse in Arikara; the combination of the words Holy or sacred and dog make up the word for Horse).  In this way, he pays tribute to his spiritual roots; the traditional teachings, ceremonies, and devout Christian faith modeled by his mother.
He paints to educate, and shares, “There are so many stories untold- the issues we face, the incongruities that have occurred to our people, our history and the true heartbeat of our heritage.  At its core, lies a harmonic balance between humanity and nature which I like to showcase using bright colors and images that activate the viewer’s imagination.”  While listening to a lecture by Black Pinto Horse at Purdue University, it is truly inspirational to feel and experience the love and compassion he has for his people, a driving force which helps him educate in a kind and gentle manner.

“As an artist there are several things that motivate me; the first and what I treasure the most, is sharing First Nation culture, stories, images, colors and art to the public- watching their eyes open a little wider as they listen, look and feel.  The second is working with children of all backgrounds and cultures, guiding them to discover who they are through the exchange of culture, stories and art during visual art workshops.  Finally, giving back to my people and communities across the nation inspires my artwork”.

Black Pinto Horse is Arikara and Hidatsa from the Fort Berthold Reservation in North Dakota.  When he was sixteen he attended the Institute of American Indian Arts which allowed him the opportunity to express himself artistically.  He furthered his art and history studies at North Dakota State University, Fargo, ND majoring in History Education with an Art minor. In 2002, he earned a Bachelor of Fine Arts from Minot State University, Minot, ND.  Monte and wife Emily, reside in Great Falls MT where he served as the Artist in Residence in 2007 & 2008 with the Great Falls Public schools and Paris Gibson Square Museum.

Since 2004, as innovative entrepreneurs, he and his wife combine fine art and education within their company Black Pinto Horse Fine Arts- they form partnerships with galleries, museums and educational institutions both nationally and internationally.  He attends prestigious Indian Art Markets such as Santa Fe, the Heard and Eiteljorg Museums and has collectors worldwide, such as the piece displayed in the permanent collection of the Volkenkunde Museum of Leiden Netherlands.

Within the educational component of their company, Monte provides presentations, lectures and workshops to K-12 school systems, Universities and teachers.  Using the springboard of art and culture, weaving together golden threads of history, math and science and trimming it with character building, he guides participants, young and old, down a vibrant trail towards creativity and personal development.  He strives to inspire young and old, to learn about whom they are, where they come from and to be proud of their heritage.  He comments, “Our answers can be found within our culture for building a better future for our people.”

Black Horses Pictures for Kids Black and White to Color Funny Hd Wallpapepr Images Pics

Black Horses Pictures for Kids Black and White to Color Funny Hd Wallpapepr Images Pics

Black Horses Pictures for Kids Black and White to Color Funny Hd Wallpapepr Images Pics

Black Horses Pictures for Kids Black and White to Color Funny Hd Wallpapepr Images Pics

Black Horses Pictures for Kids Black and White to Color Funny Hd Wallpapepr Images Pics

Black Horses Pictures for Kids Black and White to Color Funny Hd Wallpapepr Images Pics

Black Horses Pictures for Kids Black and White to Color Funny Hd Wallpapepr Images Pics

Black Horses Pictures for Kids Black and White to Color Funny Hd Wallpapepr Images Pics

Black Horses Pictures for Kids Black and White to Color Funny Hd Wallpapepr Images Pics

Black Horses Pictures for Kids Black and White to Color Funny Hd Wallpapepr Images Pics

Black Horses Pictures for Kids Black and White to Color Funny Hd Wallpapepr Images Pics

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Black Horses Pictures for Kids Black and White to Color Funny Hd Wallpapepr Images Pics

Black Horses Pictures for Kids Black and White to Color Funny Hd Wallpapepr Images Pics

Black Horses Pictures for Kids Black and White to Color Funny Hd Wallpapepr Images Pics

Black Horses Pictures for Kids Black and White to Color Funny Hd Wallpapepr Images Pics